Poetry Assessments

NSWWC’s half-hour poetry assessments are for emerging poets looking for objective, professional feedback.

How it works: Your assessment will be a 30-minute face-to-face consultation with one of our experienced poetry assessors. Having read a pre-submitted sample of your poems, the assessor will give a general appraisal of how your work is progressing, where you may need to direct more attention, what you can do to improve your work and where you could turn to for inspiration and guidance. It will not be possible to provide detailed feedback on each of the poems.

Next Dates

  • Saturday 29 October 2016 with Martin Langford

Booking In

The cost of a 30-minute assessment is $75 for members and $100 for non-members. Please call the Centre on (02) 9555 9757 to book an appointment.

Once you have made your appointment, you will need to provide the following materials at least 10 days before your assessment:

  • Maximum 10 pages of poetry (this can be made up of between 3 and 10 poems)

Please note, if your materials are not submitted at least 10 days before your assessment, we cannot guarantee your assessor will have time to review them before your appointment.

You can email your materials to the Centre (if emailing, please send your poems as a single Word document) or post them to NSW Writers’ Centre, PO Box 1056, Rozelle NSW 2039.


About the Assessor

Martin Langford has published six books of poetry, the most recent being The Human Project: New and Selected Poems (Puncher and Wattmann, 2009). In 2009, he edited Harbour City Poems: Sydney in Verse 1788-2008 (Puncher and Wattmann). He was the NSW Poetry Development Officer in 2007-8, has directed the Australian Poetry Festival three times, and was instrumental in initiating the Australian Young Poets’ Fellowships and the Judith Wright Memorial Lectures. He is the poetry reviewer for Meanjin. Thematically, he is interested in the way we try to imagine ourselves beyond our biological inheritance, and in the evolution of our social and imaginative spaces. He lives on the northern outskirts of Sydney, and the landscape of that area often features in his work.

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